The second
album of the 24 years old London producer starts like this: “I don't want you
to know / I took it with me / But when things are thrown away like they are
daily / Time passes in the constant state / So if that is how it is/ I don't
wanna be a star / But a stone on the shore / Long door, frame the wall / When
everything's overgrown”, from its song album-title Overgrown, which is much
better than his debut “ James Blake” that offered only one single heard outside of England “there’s
a limit to your love” - it's not even good.
Criticism like
this one is arrogance. “Retrogade” is a new approach of Blake to dub step sound
and minimal electronic, the powerful explosion of the chorus, the ups and downs
beats with his whispering voice, resulted in a perfect single. In “Take a Fall for Me”, Blake invited rapper RZA
from Wu-Tang Clan and it turned out to be a cool rap track. “Dlm” and “Our Love
Comes Back” are both depressing but “Digital Lion”, in turn, makes you step
into your dancing shoes, also “Voyeur”.
Blake is
something special. Great show in Coachella 2013, in the stage there were drums
in the middle, James Blake himself on the right side (piano, PC, sampler and
vocals) and on the left side a synthesizer, drum machine, music sequencer and sometimes
a guitar. Nevertheless, the tracks don’t
sound the same live as they do recorded. I’d love to see Blake
in a different stage. I saw him once in Optimus Alive 2011, but again the stage
was unfamiliar, and the afternoon time wasn’t helping, only hundreds watching
- a pity.
He isn't a rock start but he does a good job exploring new electronic beats, so here's a 4/5.
He isn't a rock start but he does a good job exploring new electronic beats, so here's a 4/5.